Tag Archives: Design

Lumio

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My wife (and daughter) gifted me a Lumio last week. I love it. It’s beautiful and fun. It sits on my desk next to my laptop and I find myself reaching for it several times a day. Each time I open it up, I pay attention to different details: the quality of the light filtering through the paper, the sound the paper makes as it expands and contracts, the feeling of the wooden cover(s) on my fingers, the flexibility of the spine. Sometimes I turn off my desk lamp and I just sit for a little while enjoying the light.

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IASDR 2017

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Some additional good news to report. I submitted an abstract for a short paper to the upcoming IASDR conference in Cincinnati about some early-stage research that I’m working on with Erik Stolterman, and the abstract has been accepted! So now we’re writing the short paper and creating a poster to present at the conference.

Here is the abstract we submitted:

Scholars in a variety of academic disciplines have studied the peer review process. There are examinations of the biases that pervade peer review (Lee, Sugimoto, Zhang, & Cronin, 2013). Other studies propose tools or methods that might be useful for improving or standardizing the peer review process (Hames, 2008; Onitilo, Engel, Salzman-Scott, Stankowski, & Doi, 2013). Still others examine the kinds of criteria that ought to be relied upon in peer review processes, and in some cases these criteria are widely known and agreed upon. In the natural sciences, for example, we might say that there is a relatively stable set of criteria that can be used to assess the rigor, relevance, and validity of a scientific knowledge contribution. In this paper, our aim is to examine the process of peer review as it pertains to research through design. We aspire to build an understanding of the criteria scholars use when a design or prototype is the main contribution. How do reviewers evaluate designs as knowledge contributions? Is there any uniformity or stability to the review criteria? Are criteria from other fields (e.g. scientific criteria) used to evaluate designs? Toward this end, we report the outcome of a survey conducted with a group of meta-reviewers (n=15) from the design subcommittee for the 2017 Computer-Human Interaction (CHI) Conference, which is the flagship conference in our field of expertise. The design subcommittee reviews papers that “make a significant designerly contribution to HCI [including but not limited to] novel designs of interactive products, services, or systems that advance the state of the art.” Our findings suggest that there is little agreement on a common set of criteria for evaluating research through design.

I look forward to sharing more as this important project moves forward!

New Journal Article

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Terrific (not-so-new) news! She Ji: The Journal of Design, Economics, and Innovation published an article I wrote with Erik Stolterman about whether knowledge claims could be a useful way to distinguish research communities from one another. Here is the abstract:

While much has been written about designerly knowledge and designerly ways of knowing in the professions, less has been written about the production and presentation of knowledge in the design discipline. In the present paper, we examine the possibility that knowledge claims might be an effective way to distinguish the design discipline from other disciplines. We compare the kinds of knowledge claims made in journal publications from the natural sciences, social sciences, and design. And we find that natural and social science publications tend to make singular knowledge claims of similar kinds whereas design publications often contain multiple knowledge claims of different kinds. We raise possible explanations for this pattern and its implications for design research.

… and a link to the article, which is freely available for download. I’d welcome any comments or feedback. This is part of a broader project investigating the transfer and interplay of knowledge in research communities.

Finally, DIS

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After a few years of submitting papers to HCI venues and learning how to cope with rejection after rejection after rejection*, I finally managed to get one accepted at ACM Designing Interactive Systems (DIS) 2017.

It’s a full paper, and it’s the outcome of a collaboration with Erik Stolterman. Here’s the abstract:

What are big questions? Why do scholars propose them? How are they generated? Could they be valuable and useful in HCI research? In this paper we conduct a thorough review of “big questions” literature, which draws on scholarship from a variety of fields and disciplines. Our intended contribution is twofold. First, we provide a substantive review of big questions scholarship, which to our knowledge has never been done before. Second, we leverage this summary as a means of examining the value and utility of big questions in HCI as a research discipline. Whether HCI decides that generating and having big questions would be a desirable path forward, we believe that examining the potential for big questions is a useful way of becoming more reflective about HCI research.

I’ll add a link to the draft soon, so if you find the abstract intriguing please do check back to download the paper. Can’t wait to visit Edinburgh!

*If you’re looking for an entertaining text on rejection-proofing yourself, I highly recommend Rejection Proof.

 

 

Reading

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James Baldwin is a wonderful writer. I’m working my way slowly through The Fire Next Time, and the following passage just punched me in the chest:

Here was the South Side – a million in captivity – stretching from this doorstep as far as the eye could see. Ands they didn’t even read; depressed populations don’t have the time or energy to spare. The affluent populations, which should have been their help, didn’t, as far as could be discovered, read, either – they merely bought books and devoured them, but not in order to learn: in order to learn new attitudes. (Baldwin, 1993 p. 61)

Never have I ever felt so nailed by a critique. Have I ever really read to learn? Or has it always been to learn new attitudes? What’s the difference between learning [x] and learning a new attitude? What sorts of books is Baldwin talking about? And how does Baldwin distinguish between learning and learning new attitudes?

This last question seems to me to be a consequential one, and I would love to know how Baldwin makes the distinction (and if he is on record explaining it anywhere, I would love to read/watch.. so please leave a comment if you know).

I quoted from the First Vintage International Edition of the book, published in 1993.

Conferences

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I look forward to the day when more conferences in my fields of interest offer alternative forms of presentation. I recently received an email from the IASDR conference, which will be held later this year in Cincinnati. Part of the email states that:

“To allow all world citizens to participate in the IASDR2017 conference, every effort will be made to accommodate alternative forms of presentation such as recorded video or real-time online video conferencing.”

I was really pleased when I read this, and my hope is that others will make similar efforts. No one should miss out on the opportunity to present research because of backwards policy..

Death and Dying

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My in-laws live on a farm, and one of their horses loves llamas. For as long as I’ve known him he’s had the same llama companion. But last year the llama died. And my daughter asked where he went.

My mother-in-law didn’t know what to tell her. When she told me about this and asked me what I thought she should say, I was staring at a few bookshelves full of children’s books. Animals. Potty training. Imagination. Feelings. Lots of different topics. Lots of different purposes. Letters. Numbers. First words. And others. But none about death or dying.

And as I thought about it, it never occurred to me to buy books for her on the topic. Why would I? Why read a book about death or dying to a kiddo? They don’t need to be exposed to that. Do they? Should death be something that we only talk about in times of grief?

One of our dogs died last year. And so did a grandparent. So why not talk about death? In not talking about it do I just perpetuate it as a sort-of taboo concept? Maybe reading about it from an early age encourages thinking about it more deeply and relating to it differently.

Maybe she’ll have a richer understanding and vocabulary for coping with it when she inevitably does confront it. I don’t know. But I don’t think that death or dying as concepts ought to be avoided even if they seem untimely.